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EDWARD HOPPER

Collection by Patricia Mock

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Edward Hopper, American, 1882 - 1967 American realist painter Hopper is famous for capturing the mood and feel of the mid-20th century in his paintings. From lonely diners and hotel rooms to houses on the shore, his paintings lend a vision of what life was like in those times.

Patricia Mock
Edward Hopper, Sun on Prospect Street (Gloucester, Massachusetts), 1934 - The Cincinnati Museum of Art American Realism, American Artists, Edouard Hopper, Edward Hopper Paintings, Prospect Street, Cincinnati Art, Cincinnati Museum, Inspiration Artistique, Frames

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'Summer House, Winter House' by Jamie Wyeth, not Edward Hopper. FYI, a major Faux Pas by someone, somewhere along the way. Jamie Wyeth, Andrew Wyeth, American Realism, American Artists, Manet, Toulouse, Edward Hopper Paintings, Nc Wyeth, Inspiration Art

Hopper’s Cape Cod

'Summer House, Winter House' by Edward Hopper (American; 1882~1967)

This is a rendering of a Methodist Church Tower. The date is placed in The artist was Edward Hopper. He lived This was his interpretation of a Methodist church of the time. American Realism, American Artists, Johannes Itten, Edward Hopper Paintings, Ashcan School, John Piper, Cape Cod, Oeuvre D'art, Les Oeuvres

Edward Hopper paintings | The Hyde Collection | Emerging from the Shadows

Explore the nuances hidden within the shadows in Edward Hopper's work in an upcoming exhibition at The Hyde Collection.

Whitney Museum of American Art: Edward Hopper: (Bell Tower) American Realism, American Artists, Edouard Hopper, Gloucester House, Edward Hopper Paintings, Ashcan School, Francis Picabia, Joseph Mallord William Turner, Whitney Museum

Edward Hopper | (Bell Tower)

Edward Hopper, (Bell Tower), 1923–1924. Watercolor and graphite pencil on paper, sheet: 13 15/16 × 19 15/16in. (35.4 × 50.6 cm). Whitney Museum of American Art, New York; Josephine N. Hopper Bequest 70.1109. © Heirs of Josephine N. Hopper/Licensed by Artists Rights Society (ARS), New York

House and Boats (Seaside House) - Edward Hopper 1923 American Watercolor on paper, x cm Hunter Museum of American Art , Chattanooga. American Realism, American Artists, Dean Mitchell, Hunter Museum, Edward Hopper Paintings, Ashcan School, Most Famous Artists, Belle Villa, Frames

Cozyhuarique

House and Boats (Seaside House) - Edward Hopper 1923 American 1882-1967 Watercolor on paper, 35.2 x 50.8 cm Hunter Museum of American Art , Chattanooga.

Edward Hopper - Painting - Realism - The Chrysler Building Under Construction, 1931 Edward Hopper Paintings, Whitney Museum, Chrysler Building, Urban Landscape, Under Construction, American Artists, Urban Art, Art And Architecture, Oeuvre D'art

Jill Krementz covers Edward Hopper at the Whitney

Edward Hopper (1882–Earle Horter (1881–1940) The Chrysler Building Under Construction, 1931

View House with Dead Trees by Edward Hopper on artnet. Browse upcoming and past auction lots by Edward Hopper. American Realism, American Artists, Edward Hopper Paintings, Realism Art, Art Pictures, Art Pics, Painting Inspiration, Oeuvre D'art, Colors

Thunderstruck

Edward Hopper (American, 1882-1967), House with Dead Trees, 1932. Watercolor on paper, 20 x 28 in.

Edward Hopper Ground Swell C Painting People, Figure Painting, Painting & Drawing, American Realism, American Artists, Hooper Edward, Edward Hopper Paintings, Oeuvre D'art, Art History

Edward Hopper | Quotes /Citazioni

- My aim in painting has always been the most exact transcription possible of my most intimate impression of nature. - Il mio scopo nel dipingere è sempre stata la più esatta trascrizione possibile della più intima impressione della natura. - What I wanted to do was to paint sunlight on the side of a house. - Quello che vorrei dipingere è la luce del sole sulla parete di una casa.

Buy prints of Lighthouse Hill, Cape Elizabeth, Maine by Edward Hopper online. Edward Hopper, Cape Elizabeth Maine, Elizabeth I, Smart Art, Belle Villa, Contemporary Landscape, Buy Prints, American Artists, Les Oeuvres

Lighthouse Hill, Cape Elizabeth, Maine - 1000Museums

Lighthouse Hill, Cape Elizabeth, Maine is one of two paintings that Hopper painted featuring the Two Lights lighthouse in Cape Elizabeth. Hopper creates a defined horizon line separating the pale blue sky and pale green hills. The color palette captures a somber mood even in daylight. In the foreground, houses inhabit the vast landscape, and the lighthouse can be seen in the back, isolated from the rest of the built environment. The houses interact with the landscape; however, Hopper makes…