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Contemporary Art

sculpture of a rock with glass coral-like structures emerging from the tops of it

Exquisite aquatic specimens sprout from craggy stones in Elena Fleury-Rojo’s "Reef Formations" sculptures. 🪸

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sculpture of a rock with glass coral-like structures emerging from the tops of it

Exquisite aquatic specimens sprout from craggy stones in Elena Fleury-Rojo’s "Reef Formations" sculptures. 🪸

Colossal

sculpture of a rock with glass coral-like structures emerging from the tops of it

Exquisite aquatic specimens sprout from craggy stones in Elena Fleury-Rojo’s "Reef Formations" sculptures. 🪸

Colossal

“You are stronger than you think, You are more than you know,” stoneware, raku, oxides, multiple glazes, fired multiple times, 77 x 39 x 37 centimeters. All photos by Simon Hewson, © Juz Kitson, shared with permission

Densely packed with pieces mimicking flowers, fungi, moss, coral, and other organisms, Juz Kitson's shapely works “feel like they are pulsating, giving inanimate material a spark of life.”

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Detail of “You are stronger than you think, You are more than you know,” stoneware, raku, oxides, multiple glazes, fired multiple times, 77 x 39 x 37 centimeters

Densely packed with pieces mimicking flowers, fungi, moss, coral, and other organisms, Juz Kitson's shapely works “feel like they are pulsating, giving inanimate material a spark of life.”

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Left: “All will reveal itself when you dive in and dive in deep, No. 3” (2022), black midfire clay, raku, stoneware, and oxides, 76 x 36 x 34 centimeters. Right: “An abundance of possibilities” (2022), raku, earthenware clay, and various glazes, 65 x 40 x 42 centimeters

Densely packed with pieces mimicking flowers, fungi, moss, coral, and other organisms, Juz Kitson's shapely works “feel like they are pulsating, giving inanimate material a spark of life.”

Colossal

Harnessing the energy of water in motion, Zheng Lu’s metallic sculptures appear frozen in time.

Harnessing the energy of water in motion, Zheng Lu’s metallic sculptures appear frozen in time.

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Harnessing the energy of water in motion, Zheng Lu’s metallic sculptures appear frozen in time.

Harnessing the energy of water in motion, Zheng Lu’s metallic sculptures appear frozen in time.

Colossal

Harnessing the energy of water in motion, Zheng Lu’s metallic sculptures appear frozen in time.

Harnessing the energy of water in motion, Zheng Lu’s metallic sculptures appear frozen in time.

Colossal

Harnessing the energy of water in motion, Zheng Lu’s metallic sculptures appear frozen in time.

Harnessing the energy of water in motion, Zheng Lu’s metallic sculptures appear frozen in time.

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a man stands next to life-sized sculptures of elephants.

An important aspect of Josh Gluckstein's practice is concern for the environment. Using discarded or recycled materials, he creates life-like sculptures of animals.

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a cardboard sculpture of a primate.

An important aspect of Josh Gluckstein's practice is concern for the environment. Using discarded or recycled materials, he creates life-like sculptures of animals.

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a man sits on the ground holding a large sculpture of a life-sized Pangolin. Behind him are are life-sized sculptures of a lion, elephant, and primate.

An important aspect of Josh Gluckstein's practice is concern for the environment. Using discarded or recycled materials, he creates life-like sculptures of animals.

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a sculpture of entangled tentacle-like forms on a white wall

a sculpture of entangled tentacle-like forms on a white wall

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a sculpture of entangled tentacle-like forms on a white wall

a sculpture of entangled tentacle-like forms on a white wall

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a sculpture of entangled tentacle-like forms on a white wall

a sculpture of entangled tentacle-like forms on a white wall

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Porcelain sculpture of a contorted face with a small figure sleeping on it

Hong Kong-based artist Johnson Tsang has spent decades sculpting works in ceramic and steel that explore the liminal and invisible, making thoughts and emotions tangible through minimal forms in white porcelain.

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Porcelain sculpture of a contorted face with cracks and moss showing through Johnson Tsang, Caring Too Much, Steel Sculpture, Chinese Artists, Art Event, Public Art, In This Moment

Caring Too Much

Steel Sculpture

Chinese Artists

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Porcelain sculpture of face splayed open to show a grassy and mossy area with a tree Model Tree, Fake Grass, Fine Porcelain, Surrealist, Mother Nature, New Art, Artsy, Art Pieces

Hong Kong-based artist Johnson Tsang has spent decades sculpting works in ceramic and steel that explore the liminal and invisible, making thoughts and emotions tangible through minimal forms in white porcelain.

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“Deluxe” (2023), agate, jasper, serpentine, garnet, lapis lazuli, smoky quartz, quartz, labradorite, tektite, aventurine, snowflake obsidian, onyx, tiger eye, turquoise, marble, glass, steel pins on coated polystyrene, wood, Datsun 1200 trunk, 53 x 45 x 73.5 inches.

Ryan’s latest works that explore the tension between revulsion and delight.

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“Generator VIII” (2023), quartz crystal, silver-plated stainless steel cable, silver crimps, steel, automotive paint, Dodge trunks, 38 x 32 x 41.5 inches

Ryan’s latest works that explore the tension between revulsion and delight.

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Detail of “Screwdriver” (2023), onyx, citrine, rhodonite, garnet, agate, tektite, lava rock, turquoise, aquamarine, serpentine, magnesite, amazonite, black tourmaline, jasper, prehnite, ruby in zoisite, marble, amber, labradorite, smoky quartz, quartz, acrylic, steel pins on coated polystyrene, aluminum umbrella, 68’ AMC Javelin trunk, 77 x 88 x 107 inches

Ryan’s latest works that explore the tension between revulsion and delight.

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“My Joy My Joy My Joy” (2021), acrylic felt, polyester fiber fill, pyrite, glass beads, sea glass, vinyl sequins, white abalone shell, metal base, nylon thread, aluminum sculpture wire, and artificial sinew, 16.5 × 13.3 × 22 inches.

Colorful compositions by Jeffrey Gibson mingle intricate patterns with symbols and references to myth, Indigenous knowledge, literature, and queer identities.

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“I AM A RAINBOW” (2022), found punching bag, glass beads, artificial sinew, and acrylic felt, 50 × 14.25 × 14.25 inches.

Colorful compositions by Jeffrey Gibson mingle intricate patterns with symbols and references to myth, Indigenous knowledge, literature, and queer identities.

Colossal